Peru at London 2012

The view from the street of my house in Portland.

A day like today a month ago, a suitcase, an inflatable bed, a bedside table, a mirror and a clothes rack was all I had in a nice little room in Portland. Every morning I would grab a couple of Kellogg’s energy bars, put them in my backpack and start my 20 minute walk down to Weymouth and Portland National Sailing Academy in Osprey Quay, mostly known as the Sailing venue for the London 2012 Olympic Games.

Inside the OBS truckThe day would start with the scan of my accreditation, a bottle of water from the vending machine (which was free!!), a warm cup of tea and a few comments of amusement from my fellow colleges due to the 10 little packs of sugar I used to pour in it (and the monopolization of the refreshment’s table caused by such activity). So, with all that done, I was ready to find a seat next to my team and be ready for the morning meetings lead by the producer (Gary Milkis) and director (Chris Lincoln). The venue consisted of 5 main locations for the different class races: The Nothe, Portland Harbor, Weymouth Bay South, Weymouth Bay West and Weymouth Bay East (this one was assigned just in case something happened, so it was saved for very exceptional occasions –  which I think never happened). So basically, those morning meetings consisted of  weather reports; informing what time, what areas, and which teams were covering what races each day.

Course (Race) Areas

Reid32 cameras in total, between helicopters, land based cameras (Commentary and Mix Zone area, ticket area, the Nothe fort), robotic cameras fixed on the racing boats and on land; on-boat cameras (fixed cameras); and the ENGs (Electronic News Gathering) cameras. The ENGs were sent in the water on speedboats. There were 6 cameramen, 7 skippers (as in speedboat drivers), and 8 spotters (camera assistants, timecode loggers, and yes, spotters: Where are the team leaders? Who had a penalty? Where is the GBR team? We had to have the answers to those questions).470s reaching marks

The task: To cover the assigned races for the 10:00pm daily news summary. Meaning, we needed to summarize an entire race in 3 minutes. It’s all about key points. SO, images of the “heroes” as in the leading teams, and teams with a particular story; the start of the race; the marks (windward and leeward. Yes, I had to learn all this on the first few days); penalties; boats turned up side down (we loved those ones); the finish line; celebrations; and beauty shots (if there was time for them!). By far, one of the most exciting assignments in the coverage.

Reid and the 470s6 cameraman and 8 spotters? OK. This was a bit tricky at the beginning, but it worked out ok at the end. So, each ENG boat had one skipper, one cameraman and one spotter. A cameraman always needed an spotter/assistant. At the beginning, each cameraman was assigned a particular assistant. So, what happened to assistant #7 and #8? Well, somebody needs to pick up the memory cards from the cameras, right? The dynamic of the ENGs was something like this: General morning meeting, ENG morning meeting: who covers what and at what time; getting ready: take the cameras out, format memory cards, put them in their plastic boxes, batteries, radio, pick up log sheets, waterproof gearing up, life vests, sunblock, water, lunch boxes. Everything in the trolley. We are ready.  Walk down to the Marina, find our skipper, put everything on the boat, strap it, get rid of the trolley. Here we go. We start our way to the race area. 470s coverage from speedboatWe are chasing the racing boats, and as a spotter you need your 5 senses working like a charm. Foreseeing: What is it my cameraman will need next? He is following GBR, but he’s not noticing who’s overtaking, we have to let him know! Is he rolling? Red light? Be careful, don’t let him fall. We need to change cards, don’t let those bad boys get wet! We need to call the director and the other ENGs, radio ready! I like thinking of the whole thing as 2 people dancing on a boat (you can’t be in the way of your cameraman, and he is moving to get the shot. A LOT). Do I have to mention that the speedboats have their name due to how fast they actually go? I never knew what 52 nots felt like. Now I know. AWESOME. Now dance on that!

Peruvian Laser Radial - Paloma Schmidt before racing

So, after each race those cards (memory disks, same thing) need to be changed. My cameraman gives me the full card, I give him an empty one (this is happening very fast and very cautious, if this gets wet, it means that we have been here for nothing!) I put the full card and my log sheet in the little waterproof blue bag and we are waiting for the pickup boat and spotter #7 or #8 to take the cards back to land.

In the compoundLand: the OBS compound = The Olympic Broadcasting Services compound. Where the entire OBS crew is based: Production truck, editing suites, production office, animation and graphics, robotic cameras, ENG container, camera storage, Technical Operation Centre, telecommunications (the art of video and data feed backing) catering area, toilets, even the BBC had their own space in the OBS compound!

On land, the cards are received in the marina and taken to the editing suites for the Editors (Ben and Jason) to start ingesting, deciphering the log sheets, cutting and finally, having a summary ready for broadcast at 10:00pm. So in a day, Ben and Jason would receive 12 cards more or less.

Right! The camera assistants #7 and #8! Shiv and I were the lucky ones with those numbers. Printing log sheets, position info, get on the water with the fastest skipper ever: Richard; go to every race area and pick up the cards, go back to land, bring them to the editors. Michael Gribbin our manager, knew that there was a much fairer way to do this and he rotated positions.

Shiv, fast Richard and CrisCris and "52 nots" Richard

Don and the 49ers

My first assigned cameraman was Don Rutherford from New Zealand and skipper, Adam. Don is a man of few words. First thing he asked me: Can you shout? –  Ha! If I can shout? I’m the master of shouting! Good. He was given the schwem lens, a lens with an incorporated stabilizer, Don could zoom in as much as he wanted, and he would always have the shot. On our first day, our plastic box, the container which was empty except for the schwem lens cap, was lost in the water. It was massive, one second it was at the back of the boat, next… nothing. I wanted to die! I told Don how lucky I was, just on my first day with him, we lose a massive box. He said not to worry, it wasn’t my fault and shit happens. The next day we go back in the sea; and what do we find? The box! In the Marina, next to the police boats! Oh my god! We took it. The world is awesome again.

Peruvian Laser RadialTwo days with Don. Then I was assigned to Reid and skipper, Michael from South Africa. Reid Nelson, the cool American ESPN cameraman who is crazy about sports! You got to love Reid and his stories. I certainly learned a lot from him. Thank you Reid once again for everything. Reid introduced me to W. L. Jackson when I needed a bit of action during my ENG disk-pickup days. Jackson is a great cameraman assigned to the Mix Zone area (where the athletes and racing boats were based). He was a great adviser and for once I was really grateful for being told how things really were and being instructed with discipline. Jackson introduced me to Bill and thanks to him I got the most amazing photos a Peruvian could ever have: Me and the Peruvian Laser Radial.

After a 5 hour shift in the waterIn my days with Reid and Michael, the sea and weather played dirty with me. My waterproof gear wasn’t working at all, and the speed wasn’t helping with the spray. Soaked trousers, soaked feet, soaked everything. High sea tides, rain and wind. It was AMAZING. The only thing I was worried about was having to deal with a cold. I was enjoying it SO MUCH, and I didn’t want to fall sick, not because of me being poorly, but because the possibility of not been able to work. That never happened. I prepared mentally and physically for this. I wanted to make the most of it. And I did. My body was responding amazingly great. And I was feeding it properly at the correct times, with the appropriate rest (except for the opening ceremony and wrap party, but COME ON! Bodies also need to party!).

Michael, SkipperDue to forces of destiny, fate, the universe, god, you name it, that might have been involved with this, but Reid, Michael and I stuck together for the rest of the games. No more rotations, maybe for only a couple of times, but ENG#1 from then on was Reid, Mike and Cris. I liked that. The wind died on the last couple of days, when we were supposed to cover the Elliots. So we were trying to get some cool shots Reidfor the behind the scenes video, and for fun. The sun came back (it kind of forgot us in the middle of the games), and we were enjoying a nice time having chicken sandwiches and cokes, and getting to know a bit more about each other.

I can’t end this post without mentioning the top notch catering we had on our Olympic days. The chef and his team were made of gold. If I didn’t get poorly during those two weeks it was mainly because of the food and all its proteins. It was the best in the world: Fish, seafood, chicken, beef, rices, pastas, soups, fruits, veggies and the most yummy desserts which shamefully I struggled to finish (after all that food, who wouldn’t!). Ok, ok, I’m only 1m and 58cm tall and 45kgs, that kind of explains it all!)

470s lining up for the raceBy far one of the best experiences of my life, 2 weeks away from home working non-stop on speedboats covering the sailing competition for the London 2012 Olympic Games. I am so happy to have accepted this opportunity, to have been part of such great broadcast community and to have met such incredible people. How to forget my Canadian friends Scott, Steve and Moto in the Opening Ceremony gathering! And Drew! Oh Drew! And super fun dancing times with Reid and French friends Yann and Matt!

OBS Crew

Now back in London, back on track, and with more posts to come soon. It’s been too long, I know!

Broadcast MedalLondon 2012 Diploma

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The End is the Beginning is the End

My student days are over. Yes, O-V-E-R. Over. I have handed in the audiovisual piece written, directed, edited and graded by me. Yes, I wanted it all! Was it a good experience? Yes, it was. It was also a big challenge, highly demanding, quite stressful, but very rewarding. Perfection, perfection. We are always looking for perfection. Does it really exist? I think it is as similar as the Holy Grail. It is the aim, the eternal goal that somehow does not fill us up completely. And it is better that way, because every project is a new window of possibilities, and deep inside our hearts and minds we know that we can always do it better. Yes, my student days are over, but the learning never ends.

So what’s happening at the moment? This for instance:

http://www.criskcracker.com is my new old adventure. Criskcracker films is me, my lab, and my work. Updating the show reel, updating the resume, looking for new projects and making films that is me at the mo! Here is a piece of my free time which at the end, I found it quite productive! Ends are nothing but new beginnings, at the end.

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Slowly but Surely

A couple of days ago I had my first final Masters Project Tutorial. We read through the script and my tutor came up with very positive first impressions: It’s very visual and colourful. And then I asked her to destroy the script with her completely honest opinions, and guess what? She did.

The dialogues need to be revised. How to turn it into a journey? Real vs. Believable. Punch after punch after punch, and at the end I was knocked out! I took it with a smile and positivism. But now that a few days have passed, man, I can seriously say that it was a bit harsh. But, better sooner to know than later to regret. I just need to work on it, nothing to panic about.

In other happy news, I’ve been putting on practice my humble knowledge of Cross Platforming and my project finally has a website, which makes me very happy, and yes I reckon, motivated.

http://shedoesntneeddrugstogethigh.weebly.com/

It’s nice to try to get everybody involved and keep them entertained. Am I an entertainer? Am I? I think in part, yes. I can live with that, I like it actually.

My two main characters are on board and I could not be more pleased. There is so much that needs to be done, and my mind is starting to get dizzy with that long list of things to do. But I keep repeating to myself: “It’s just a silly phase”. I just can’t wait to go back and start “making” (making films that is, I didn’t want to sound pretentious). I can feel the butterflies in my tummy again, just like on a first day at school. Masochist that’s who I am, but aren’t we all anyway?

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Welcome to the enigmatic world of Screenwriting!

Yes, I am writing. Life is about having fun, flying kites, spend it with the ones you love, but it is also about challenging yourself. Since the moment I decided to apply for this MA course I knew that I wanted to write a screenplay at some point, and that time has arrived. I am writing the script for my Final Masters Project. And yes, it is scary! (Not the actual story, I hope not anyway!) I haven’t written a proper screenplay since 2004 when I was in Uni back in Perú. So far I’ve got an option for the tittle and 97% of it is written. I can’t publish this post without thanking Fiona Julian who has given me some ideas and makes the process a bit easier.

Writing is tricky! You start at one point, and suddenly you found yourself in a different place, sometimes much much further away than you thought you will get. It’s good and sometimes it’s really bad. Specially when you try to focus, and you need an end and you have little time. I am enjoying it though. Wish me luck! I’ve put myself a deadline: By midweek I must have a decent first draft. I’ll keep you posted!

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The Simplest Things of Life (The Post)

Busy, everyone is busy. Flying kites seems like a faraway memory from our childhood. My dad used to love flying kites. He tried his best to encourage my bro and I to love his hobby, but that never happened. The reason? My dad was a kid himself when he flew them, and my brother and I hardly had a chance to play much with them!

Flying kites in Poole

Flying a Nirvana kite in Poole Park in front of the sea. Having a lay down in the grass with the shinny sun upon us. Families around us enjoying a nice day out with their cute little and big dogs, picnics, bbqs, everyone in their own circles, having fun, without molesting anyone. Jumbo hotdogs in a little trailer shop plus a small ice cream with a chocolate flake. Walking to the lake, crossing the railway, sitting down to enjoy a bike race. Ducks, geese and swans cross our way.

Having a nice lay down after flying kites!

Sometimes life is less complicated than it seems. Money is not the answer to happiness (at least not all the time). Why don’t we just chill out for a minute, disconnect from the hectic busy world, and have fun with the simplest things of life? I never had that much fun I’m telling you!

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Ladies & Gentlemen: The Artyfacts

The Cross Platform Practice Unit presentation is done, and I thought that in order for this Cross Platform section of this blog to finish in a proper way I should bring some of our arty-facts for you to be part of the “Arts Revolution”!

Enjoy!

The Art Circles Website:

http://www.theartcircles.com/

The Art Circles Documercial:

Video Artyfact # 1: Mr Sweetapple

Video Artyfact # 2: Gemma Hawkins

Radio Show: Anthony Richmond-Turner, our art critic!

If you are wondering what is today’s target, pardon, topic! Press the link here:

http://www.prideinbournemouth.com/

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The Process of the Arty-facts

It’s done. The Cross Platform Practice project is done and handled in. Happy with the finished project, but such an unconventional way to get to the final results.

Reverse mode. Getting all the footage that we could get and put them all together like a confusing puzzle. Each piece revealed a bit of its final content. How did I feel with that? Walking with my eyes closed really. There is usually a script, a storyboard, the manual of the puzzle to be made; that is how I work anyway. But this time we were soldiers trying to get what we could. Documenting, catching, hunting, going with the flow, that is what I was doing. But inevitable we got to a point where nobody would keep on going, and that was the day where everything started to have a real meaning. Which day was that? The day we were having our tutorial with Jo.

What exactly do we want with this project? What was that exactly? Different perspectives of the same thing. I was understanding B, when somebody else was getting A, and the rest was thinking C. The wake up call was on the day that our producers and writer gathered at the Editing base: “This is not working”, too slow, too boring, too opposite to what I had visioned. That was certainly my wake up call. We met everyday for a week to give this project a real shape, lots of trimming, a bit of funk and enormous amount of life. It wasn’t a documentary anymore, but a “documercial” (love that term Fiona!). We need to sell this, not to a client in particular, but to an audience, an audience that is not particularly into arts. Arts can be fun, and funny and edgy and funky and interesting! It is the way to show the content and it is the way of how we organise and distribute that content too.

Saturday 19th. I am going to a concert with Fiona and I am happy for two main reasons:

1. I am going to see perform Roger Daltrey LIVE for the first time in my life.

2. The editing has a north now, and the documercial is looking GOOD.

We showed it to Jo and to everyone else in the group for the first time on Monday. “This is great”. Smiles everywhere. I have lots of corrections to be made written down on a piece of paper, but the structure and the content were there, and it seemed to be working.

We make the final touches, and it is done. Our virtual gallery and awesome radio show are looking and listening great too. The deadline: March 22nd. We are ready.

What have we learned?

1. Never use blue tags for making tracking points on the screen of an iphone, what was I thinking when I let that happened?? Our iphone footage looked amazing, but it was useless. Blue tags have volume and it is not great when you are shooting in different angles which make volume to change its perspective and not letting AE track properly. We did not use our lovely shots. Shame on us.

2. Script first, improvisation later.

3. Communication and being able to listen to other members of the team. (Ultra important!). Maybe that person has a great idea, but it is never used because nobody listened, and then you lose time, and then we go back to the same idea, but after a long time later! And you know what they say: Time is money!

I can honestly say that I have learned a lot, but I am not quite sure if it was the best way to learn those things. Oh well, what it is done, is done. I had the chance to work with Tom who is studying radio and helped us a lot with the making of the website and of course, with the radio show. It was great to record our voice over in the Birst Studio, and it was nice to see and remember all the action behind mixers. Such an awesome Production and Editing Team. Such creative writer and director. I am happy with the results and we are kicking ass on our presentation next Thursday, not this one though, there is an strike going on! Perfect timing, hey?!

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